With its bright and shimmering layers of melody and texture, E·MO·TION gracefully captures both the joy and risk in following your heart. Good mastering for a modern pop record, however, a typical pressing from United Record Pressing, riddled with surface noise and pops (after a cleaning). With a sense of pure feeling and passion inspired by classic pop records of the early ‘80s, E·MO·TION finds Jepsen conjuring up pop's most thrilling paradoxes and delivering songs both carefree and introspective, tender and bold, sensitive and self-assured. It was released on June 24, 2015, in Japan and on August 21, 2015, worldwide through 604, School Boy, and Interscope Records.

It is the third in a series of B-side albums that present her as a likeable everywoman who is self depreciating and always full of conviction. In the edit page, go to the 'Metadata' tab and add your Juno artist, label or release page for listeners to purchase your release / releases. Records that aren't in picture sleeves will either be in a company sleeve or a generic plain sleeve. Music Direct reserves the right to select the carrier and ship method within the terms of this offer.I'd recently broken up with someone and moved to New York, so it was a scary new world for me - but at the same time I felt like I was coming into my own. Review: Carly Rae Jepsen's latest album The Loveliest Time is said to be a loose companion and something of a thematic inversion of her record The Loneliest Time from last year. Looking to transition from the bubblegum pop-oriented nature of her second studio album Kiss (2012), Jepsen found inspiration in 1980s music and alternative styles.

Love Carly and the songs are catchier the more you listen, which probably means i'm being brainwashed to like them or something, but who cares because they are fun to listen too and you can listen again! The excellent "Your Type" is so deftly self-deprecating and catchy that it could actually be a Robyn song, while the title track and "Boy Problems" capture longing and heartache in ways that feel like they were written for everyone's inner junior high schooler. The blissful pop masterpiece includes the singles "I Really Like You", "Run Away with Me" and "Your Type". The slap bass and crystalline synths on "All That" turn it into a seemingly long-lost slow jam, while Rechtshaid's unabashedly glossy production on "When I Needed You" reflects how big an impact his work with HAIM had on the 2010s pop landscape.

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