Blue Note: Uncompromising Expression: The Finest in Jazz Since 1939

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Blue Note: Uncompromising Expression: The Finest in Jazz Since 1939

Blue Note: Uncompromising Expression: The Finest in Jazz Since 1939

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A blue note is a flattened or – in the terminology of jazz – a “worried” note, which dips below the major scale to vouch for the intensity of an emotion; Blue Note is a record label which, since its foundation 75 years ago, has recorded the bluest and most worried jazz performers. Shaded by nocturnal melancholy, blue is the preferred tonality of their music. A classic album by Miles Davis was called Kind of Blue, and Blue Note later recorded the guitarist Kenny Burrell’s Midnight Blue, attuned to the mood of a moonlit sky seen through the glare of urban streetlights. Blue Note is unquestionably the most iconic jazz label there’s ever been. But when Alfred Lion started the label in 1939 with a recording of boogie-woogie pianists Meade Lux Lewis and Albert Ammons, his intention was simple: To release music that he felt was important. It is a mission that he never wavered from, nor have the Blue Note albums that have followed in his illustrious footsteps. This list of 50 albums is a mere fraction of the LPs that Blue Note has put over the years. Let us know in the comments, below, which ones you think we may have missed. 50. Don Cherry – Complete Communion The brief, melancholic title waltz opens The Blue Notebooks, with a performance from Swinton, and Kafka’s scene-setting line: “Everyone carries a room about inside them.” The longer, Purcell and Beethoven-influenced, cello-led “On The Nature Of Daylight” then follows. It is an immensely popular lament, which has done more than any other Richter piece to cement his name into the international music world’s consciousness. It’s a fine example of Richter’s capability to create eminently adaptable art and then allow it, like a growing child, to exist in the world on its own, to be added to and promoted in a multitude of ways. Looking for affordable quality for work or play? Look at our fantastic selection of Acer laptops. A full HD screen means you won't be compromising when it comes to visuals—and we have a host of budget-friendly, high-quality gaming models in our range as well. Or how about one of our ASUS laptops? We've got you covered with an array of screen sizes, like our 17-inch laptops. While some designs come with a handy laptop bag included, providing an ideal home for your laptop while you're traveling or commuting to and from work. When you want a super sleek working companion there’s nothing better than a Yoga Slim Lenovo laptop. Don’t go by its size, this powerful model features an AMD Ryzen 7 Processor with amazing performance, battery life, stunning visuals, and many other smart features. a b "RICHTER Blue Notebooks (15 Years Edition)". Deutsche Grammophon. n.d . Retrieved 21 July 2018.

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The Blue Notebooks was composer Max Richter’s Iraq War-themed, and critically-acclaimed, second album. Max Richter has described The Blue Notebooks as “a protest album about Iraq, a meditation on violence – both the violence that I had personally experienced around me as a child and the violence of war …” He composed The Blue Notebooks in the run-up to the 2003 invasion of Iraq. Initially, he released the album for specialist indie label 130701 on February 26, 2004. A deluxe, expanded reissue was released by Deutsche Grammophon to celebrate the album’s 15th anniversary. The Guardian named the Blue Notebooks as one of the 25 best classical music works of the 21st Century. Yet as Havers explains, that American idiom – used, like abstract expressionist painting, as propaganda for go-getting Yankee liberties during the cold war – owed its preservation on records to a Berliner. Blue Note was founded in 1939 by Alfred Lion, the son of a Jewish architect who settled in New York in 1933 after fleeing from the capital of the Third Reich. Lion slept rough at first in Central Park, and when he could afford to rent a room immediately installed a Victrola gramophone to play the jazz records he bought on excursions uptown to Harlem. Richter, Max (8 July 2016). "Millions of us knew the Iraq war would be a catastrophe. Why didn't Tony Blair?". The Guardian . Retrieved 8 July 2016. Richter's slightly less traditional pieces also resound; both the underwater choral hymnal "Iconography" and the stately organ piece "Organum" echo the spiritual ambience that characterized his work for Future Sound of London. There is absolutely nothing exclusive or contrived-feeling about it. In fact, not only is Richter's second album one of the finest of the last six months, it is also one of the most affecting and universal contemporary classical records in recent memory." [9] The Blue Notebooks received widespread critical acclaim from contemporary music critics. [ citation needed]a b Pytlik, Mark (1 July 2004). "Max Richter: The Blue Notebooks". Pitchfork . Retrieved 21 November 2017.

Blue Note: Uncompromising Expression review - The Guardian

British album certifications – Max Richter – The Blue Notebooks". British Phonographic Industry . Retrieved 13 June 2023. The major misses that spring to mind are Pullen-Adams “Breakthrough” and Joe Henderson’s “State of the Tenor.” Missing Pullen-Adams is kinda excusable because everybody forgets that one; missing State of the Tenor is like forgetting about Stan Musial. A sorry conclusion comes with the fate of the trumpeter Lee Morgan, who dispensed “soul jazz to the max” until in 1972 he was unsoulfully gunned down at the age of 33 by his commonlaw wife during a gig at Slug’s Saloon in the East Village. His wounds were superficial; Havers primly omits to mention that he bled to death on the floor because the ambulance was reluctant to venture into the lawless no-go area where Slug’s was located. Not all jazz clubs were as stylishly avant garde as the Village Vanguard. This iconic album was Sonny Rollins’ fourth and final LP for Blue Note, capturing him on stage in one of New York’s most prestigious jazz venues in the company of bassist Wilbur Ware and drummer Elvin Jones. The tenor titan plays with an authoritative vigor, providing a masterclass of how to improvise without resorting to repetition and clichés. The absence of a pianist allows Rollins to play in a free and unfettered way. 32. The Jazz Messengers – At the Café Bohemia Vols I & 2Tapley, Kristopher (December 13, 2016). "Oscars: Academy Disqualifies Arrival, Silence, Manchester Original Scores". Variety . Retrieved February 26, 2017. Garratt, John (12 May 2015). "Max Richter: The Blue Notebooks". PopMatters . Retrieved 5 July 2019. Schepper, Ron (10 March 2004). "Max Richter – The Blue Notebook – Review". Stylus Magazine. Archived from the original on 1 September 2006 . Retrieved 19 December 2018.

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Shutter Island (2010); both the original and the remix with Dinah Washington's vocals from her 1960 hit " This Bitter Earth" [5]

Richter composed The Blue Notebooks in the run-up to the 2003 invasion of Iraq. He has described it as "a protest album about Iraq, a meditation on violence – both the violence that I had personally experienced around me as a child and the violence of war, at the utter futility of so much armed conflict." The album was recorded about a week after mass protests against the war. [3] The album features readings from Franz Kafka's The Blue Octavo Notebooks and Czesław Miłosz's Hymn of the Pearl and Unattainable Earth. Both readings are by the British actress Tilda Swinton. [ citation needed] Composition and performance [ edit ] Richard Havers’s book about Blue Note records, with its details of the inspirations and excesses of the label’s major talents, amounts to a history of jazz itself

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Dazed (2023-06-23). "Max Richter and Tilda Swinton delve into their Glastonbury performance". Dazed . Retrieved 2023-08-19. As with his most esteemed classical forebears, Richter’s The Blue Notebooks takes extant ideas and presents them anew for different times. And as with those forebears, his work is continuing to gain recognition as the years pass and the album’s place in our musical history is continuing to grow.Despite Lion’s admiration for “American vitalism”, jazzmen like Morgan proved to be rather too freely expressive and uncompromising for their own good. Shaw called music the brandy of the damned, and it’s all the more addictive if combined with heroin and cocaine. Blue is the colour of lush, sensual midnight, and also of a bleary, bruised, hungover dawn. The Blue Notebooks is the second album by neo-classical producer and composer Max Richter. The album was conceived in 2003 and released on 26 February 2004 on 130701, an imprint of FatCat Records. It is a protest album about the 2003 invasion of Iraq and violence in general.



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