Alice Vincent is a writer. Her books include Rootbound: Rewilding a Life (which was longlisted for the Wainwright Prize and named as a book of the year by the FT and the Independent) and the forthcoming Why Women Grow. A columnist for Gardens Illustrated, Alice writes for The FT, The New Statesman, Vogue, The Guardian, The Telegraph and other titles, and is the features editor of Penguin.co.uk and the creator of @noughticulture. This seems like something a 30 year old woman would write. Lots of talk about “becoming a woman” and longing for recently lost youth. Pondering that youth (over and over). Considering becoming a mother. Talking about how all your friends are becoming mothers. Lots of references to old heartbreak and few references to the fiancé living beside her in the house. How long ago was the last epic breakup? It might be time to keep that info in journals and let it go.

This book emerged from a deeply rooted desire to share the stories of women who are silenced and overlooked. In doing so, Alice fosters connections with gardeners that unfurl into a tender exploration of women’s lives, their gardens and what the ground has offered them, with conversations spanning creation and loss, celebration and grief, power, protest, identity and renaissance. One simple concept, a million cookbooks sold: Rukmini Iyer’s Roasting Tin recipe books have transformed dinner times around the country. But the writer and food stylist is also a keen amateur gardener, growing first on a balcony and, later, in a garden on a quiet street in leafy South London. Iyer’s adventures in growing food to eat collided with the arrival of her first child, and gardening has given her a new perspective on what it is to feed and nourish. We catch up with the author of India Express at home to discuss her strategies for raising enough aubergines to feed a crowd, and why she’ll always prefer to grow from seed.

When I was confident we could meet socially, or off-the-record, we embarked on that all-too-rare thing in adult life – a new friendship. There’s Diana, now 84, whom I see most weeks, cycling to her house for lunches of posh leftovers served on green plates, often with wine. Despite the 50-year age gap we share a predilection for astrology, inventive outerwear and composting. After interviewing Hazel, a floral designer in her 40s, a box of bright pink biscuits spelling out “BRING ON THE BARBICAN” arrived on my doorstep – we’d spoken about our mutual love of the brutalist estate and hatched a plan to sit in Nigel Dunnett’s Beech Gardens together. We ended up chatting for so long we made ourselves late for our subsequent plans. Several glorious dinners, catch-ups and voice notes later, I invited her to my wedding. When I wanted to know why women turned to the earth, I thought about some of the reasons. I thought about grief and retreat. I thought about motherhood and creativity. I also thought about the ground as a place of political change, of the inherent politics of what it is to be a woman, to be in a body that has been othered, dismissed and fetishised for millennia. I thought about the women who see the earth as an opportunity for progress and protest. Women have always gardened, but our stories have been buried with our work. Why Women Grow is Alice Vincent's much-needed exploration of why women turn to the earth, as gardeners, growers and custodians. Join us for a book talk and signing event celebrating Alice's new book Why Women Grow. There will be time for a 15 min Q&A at the end of the evening.

On paper, my 20s looked great: a fun job, a nice place to live, a seemingly stable relationship and enough disposable income to go on adventurous holidays. I was fortunate, and I knew it. But I also carried a shroud of loneliness around for several years: while many of my friends were rampaging through Tinder or finding their way home from nightclubs in the small hours, I was cultivating a quiet domestic life that left me unsatisfied. I’d moved in with a boyfriend. We took out a mortgage, navigated a relationship among the slings and arrows of mental ill-health and broke up 18 months later. I felt unmoored amid a sea of change I had no control over Vincent sympathetically draws out the women who speak about loss, abusive relationships and racial prejudice [...] she brings women and their problems to life" The creative mind behind Hill House Vintage and author of Hill House Living, Paula Sutton is a stylist, writer and - perhaps most of all - a purveyor of joy. After navigating a career in the fast-paced and glamorous world of fashion magazines, Paula relocated from the streets of South London to Hill House, an idyllic Georgian home in Norfolk 12 years ago. There, she decided that she was going to live - and raise her three young children - with a focus on what made her happy. Gardening is something that she has discovered later in life but has, she explains, become a crucial part of living in a more meaningful way.

Time & Place

I have always learned about plants through their stories: how they came here, what they represent, what silent powers they hold and who they mean something to. I have made my career as a storyteller: as a journalist, I have told stories daily for more than a decade. Now, I wanted to hear – perhaps even tell – these women’s stories. I wanted to learn more about what had driven these women to garden, perhaps to better understand my own need for the soil, perhaps to better understand what it was to be a woman.

A beautiful meditation on the overlooked history of female gardeners, tracing how women have drawn strength and power from the natural world" This book was more about the writer telling her experience interviewing these women, rather than truly diving deep and finding a deeper understanding of the concepts that she set out the intention to write about. This book barely scratched the surface of some really beautiful and meaningful concepts that it brought up, which was such a waste of potential and such a pity. Poppy Okotcha describes herself as an ecological home grower working to inspire reconnection to the land and the living world through the story of food and herbs. She came to gardening after a shift in her personal life: having moved between the UK and South Africa during her childhood, Poppy had a career as a model. When she was left burnt out by the fashion industry, she began to cultivate a slower kind of life, growing organically on top of a canal boat in London and learning about biodynamic and regenerative growing. We were invited into her magical, Tardis-like garden in South Devon, where Poppy tends to a space that has been grown on for centuries, sharing her gentle stewardship of the land with her considerable social media platform. Gardening also summons up ghosts, whether recalling skills learnt at a grandparent’s heels, or, like Fernanda, coaxing a recalcitrant herb, shiso, from a windowbox, 29 storeys up, to regain a flavour left behind in Hong Kong. When Fiona reworked a corner of her garden to commemorate a stillborn child this process not only offered a sense of beauty and meaning, but its sheer dogged slowness mirrored the changing nature of grief in a way that steadied her.

Loneliness strikes at different times in life. The Campaign to End Loneliness, which has been publishing reports for over a decade, claims that more than 3 million people in the UK would describe themselves as chronically lonely, a state in which someone feels lonely most of the time. Nearly half of British adults, of all ages, attest to loneliness at least some of the time, with older and widowed people particularly affected. A conversational odyssey from a Canary Wharf balcony to Charleston, the Bloomsbury set's hangout, and a windswept smallholding in Denmark. Why Women Grow is the splendid-looking account of these encounters. The narrative unfurls like a vagabond anthology of potted biographies, confessions jostling alongside social commentary [...] If you enjoy window-shopping other people's lives, you'll relish this staggeringly diverse array of individuals. Vincent's affection for her subject is infectious" Over the course of 14 months I spoke with 45 women, ranging in age from 22 to 82, from the depths of Somerset to the remote, salty horizons of Danish islands. Some were single, some were married, some were widowed, some were imprisoned, some were immigrants, some were artists, some never spoke about their day job, some were mothers, some wanted to be. I met with them with the intention of research: I wanted to glean and tell the stories of the soil that were conspicuously absent from gardening narrative, many of which would inform a book, Why Women Grow. What I ended up with was not only that connection I’d been missing, but a host of new friends I didn’t know I needed. We are delighted to be hosting the official launch of garden writer Alice Vincent’s new book ‘Why Women Grow’, a major narrative exploration of the relationship between women and the soil. Ahead of the event on Tues 28 February, here is an exclusive extract from the book: