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Christgau, Robert (6 July 2004). "Consumer Guide: Squirt You". The Village Voice . Retrieved 15 September 2015. a b Blashill, Pat (27 May 2004). "Streetwise!". Rolling Stone. No.949. p.80. Archived from the original on 8 July 2009 . Retrieved 15 September 2015. Plagenhoef, Scott (17 May 2004). "The Streets: A Grand Don't Come for Free". Pitchfork . Retrieved 4 February 2014.But comparisons with drama aren’t too far off the mark. ‘Get Out Of My House’ is as much an audio drama as it is a song. A thrilling argument between girlfriend and boyfriend, Skinner reveals with a dramatist’s cunning that Mike’s contentious stash of pills isn’t ecstasy but medication for his epilepsy. Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer.

Kuipers, Dean (23 May 2004). "A striking kind of storytelling". Los Angeles Times . Retrieved 5 December 2015. as much as i adore this album, time hasn't been fair, not because of lyrics referring to nokia's or the nonsense that was often offensively referred to as the 'chav lifestyle' but because it was released in 2004, a time when loudness was a desired thing in the latest records. Snodgrass, James (1 May 2004). "The Streets: A Grand Don't Come For Free". NME. p.47. Archived from the original on 4 June 2004 . Retrieved 15 September 2015.

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Is stood up at a nightclub by Simone, but passes the time drinking alcohol and taking ecstasy. He thinks he sees Simone kissing Dan but the drug-induced high distracts him before he can think about it properly. ("Blinded By the Lights") In his book The Story of the Streets, Skinner explained his decision to create a story that ran through the album:

Rough minimalism would be best to describe the music. clanging drums, atari-ish bleeps and samples snatched from records you've not heard of. a bit like what UNKLE was doing at that time, but mike does it more effectively... cleaner. Renshaw, David (24 May 2014). "Anatomy of an Album – The Streets: A Grand Don't Come for Free". NME. p.17. Starts seeing a girl called Simone who works in JD Sports with his friend Dan. ("Could Well Be In")British album certifications – Streets – A Grand Don't Come for Free". British Phonographic Industry. Petridis, Alexis (7 May 2004). "A Grand Don't Come for Free, The Streets". The Guardian Friday Review. p.17 . Retrieved 4 February 2014. The first single from the album, " Fit But You Know It" reached number four on the UK Singles Charts with the second single, " Dry Your Eyes" entering the UK Charts at number one. The album itself reached number one in the UK Album Charts, number eleven in Australia and number eighty-two in the United States. On first listen, ‘Fit But You Know It’ is the obvious single. Nothing else is as immediate as ‘Don’t Mug Yourself’ or ‘Weak Become Heroes’ from his debut. A great first single, it takes a guitar chug and a boozy rant and combines them to joyous effect. Close your eyes, put four moptops in suits in the picture, and you could easily imagine it as an early Beatles song. It captures the naivety of tunes like ‘She Loves You’ or ‘I Want To Hold Your Hand’ but transplants it to an era when ‘innocent’ means not yet having your brown wings.

Moves into Simone's house and finds himself comfortable smoking marijuana there, rather than drinking with his friends at the pub. ("Wouldn't Have It Any Other Way") Pitchfork staff (28 September 2009). "The Top 200 Albums of the 2000s: 200–151". Pitchfork. Archived from the original on 16 October 2009 . Retrieved 1 October 2009. Critical response for the album, like for his previous album, was near universally positive. It currently scores 91/100 on Metacritic, [5] slightly higher than his previous album, which scored 90/100. [16]Simon Rogers (19 November 2009). "NME's top 50 albums of the noughties revealed". The Guardian. London. Repeated listens reap rewards. Skinner’s vocals are so high up in the mix that it’s easy to forget there’s some music underneath. And he certainly hides his thingy under a whatsit. He plays with a broader musical palette than the just-thrown-together feel suggests: from the Hammer horror strings and brass stabs of ‘What Is He Thinking’ and the acoustic guitar on the beautiful heartbreak-balm of ‘Dry Your Eyes’ to the sweet soul vocals that punctuate the tale of sofa-bound inertia that is ‘I Wouldn’t Have It Any Other Way’, where the lyric “The ashtray needs emptying and the Clipper needs a shake” is delivered with the kind of heartfelt conviction usually reserved for love songs.